TTRPG: The illusion of choice in Dungeons and Dragons

Created in the mid 70s and currently resurfacing as a popular fantasy tabletop role playing game, Dungeons and Dragons is an open world pencil-paper-and-dice game that lets your imagination run wild. But how limitless should the world be, and where do Dungeon Masters draw the line?

I recently stumbled across an archived thread in the r/DnD subreddit on the topic of railroading versus illusion of choice. Both forms of deception offer TTRPG players two or more options, with all or several of them resulting in the same outcome. The crossroads example is classically drawn on to illustrate this strategy; the party has the option to go left or right, but both paths lead back to the dungeon. If they decide on neither, the dungeon inevitably comes to them.

Is there a difference between illusion of choice and railroading?

Illusion of choice and railroading seem to be distinct in that they connote different intentions. The former is likely to occur when Dungeon Masters are ill-prepared for a twist in narrative or action, and are obliged to quickly improvise. Sometimes the only option is to put the party back on track, whatever the costs. The opposite hypothetical also warrants some attention; being overly prepared can come at a price. As a DM, I have hundreds of options laid out for my players with each choice and outcome promising to be unique and significant. Regardless of gameplay style, I know beforehand that it’s downright impossible to prepare for every scenario. When taken by surprise, I eventually come up with an improvised solution, but I’d be lying if I said I hadn’t relied on illusionism once or twice.

Similarly, railroading is a deliberate manoeuvre used to force player characters back into whatever situation the DM had intended them to be in. It leaves little room for any meaningful choices at all, and is largely more transparent than illusionism. Constant and reoccurring railroading might well be a sign of an inexperienced DM, or in the worst of cases, an uncooperative DM.

So aren’t illusion of choice and railroading, in essence, cut from the same cloth? Dungeon Solvers are of the opinion that illusionism is indeed “a form of railroading where the players can make a decision, but their choice has no effect on the game’s direction.” Illusionism is then an umbrella term that encompasses railroading. In either case, using deception too often risks affecting the level of trust between DM and PCS, and impinging on player morale.

A careful balance between deception and trust

Of course, every player’s ideal DMing style is entirely subjective, and might even depend on the edition of DnD the participants are acquainted with. Many 3e enthusiasts enjoy the idea of being pitted against their DM in a Battle Royale style massacre where no one can be trusted, and in this sense, maybe illusionism matters less, as they are essentially fighting against the DM as well.

This dynamic has evolved in 5e, and many feel that trust between the DM and the Player Character is absolutely essential for a good campaign. This relationship makes it harder to know when and if you should deceive your PCs. Are you confident that your PCs rely on you, and trust you to be helpful and honest? Avoiding illusionism as much as possible might be the best solution.

Illusionism is the easy way out

From the DM’s perspective, illusionism might just be a blessing in disguise. Presenting irrelevant choices to your party can sometimes be exactly the breather you need.

Some of the benefits of illusionism

  1. There is no longer a need to prepare as many outcomes as possible if you are not well-versed in improvisation.
  2. It can take pressure off of DMing and allow for narrative or descriptive development. Release those quirky NPC one-liners.
  3. Worldbuilding immediately becomes a lot easier; there are a limited amount of places you can and will end up.
  4. Generally speaking, it saves hours of preparation time.
  5. It’s a wonderful tactic for lighthearted, action-packed, non-RPG-heavy one shots.

At the end of the day, one could argue that what matters most is the DM’s ability to cover up these illusions and make them seem like meaningful choices. That said, the sheer thought of denying agency to the players is enough to cause distrust. Personally, I need to be able to trust my DM not to deceive me more than what is strictly necessary. In turn, players are honest about their rolls, their stats, the amount of spell slots they have left, whether they have already burned their reaction.

Video games are restrictive; TTRPG should be limitless

It’s worth emphasising that Dungeons and Dragons is unique exactly because it operates on an open world model in which literally anything can happen. These realms thrive on a plethora of meaningful choices, and if DMs choose to railroad their characters to the point of enforcing a singular set of paths, then PCs might as well play a video game.

Unlike DnD, video games are exclusive, and, prohibitively expensive (not only due to the price of the game, but also that of the console, monitor, controller, reliable internet connection…). They depend on restricted choices, be it by way of fixed quests, or the reductive binary male vs female avatar selection. Heck, Ubisoft didn’t even provide us with gender options.

DnD is about inclusivity, which should extend itself to meaningful decisions beyond choosing a class and race. Escapism seems less valuable if it’s only to perform in yet another closed off universe. Or what do I know, a one shot with an all-male human fighter cast collectively called Arno could admittedly be entertaining.

How to avoid railroading

A rough draft

In order to avoid being ill-prepared for a session, always plan out a rough draft of a few possible options. Instead of meticulously sketched out dialogue and encounter scenes, write up a page per NPC and opponents with their possible reactions, one-liners, loot, and the information they can supply the party with. If this suits your style, continue with a page per location complete with loot, traps, and monsters. Stick to bullet points!

Creative solutions

Instead of defecting to your original plan, come up with a series of creative solutions that have been pre-planned before the session and that you can fall back on when you’re in a rut. Perhaps you operate in a world where there are evil creatures spawning from set of locations (forests, towns, cities, mountains). If a radically different outcome or path is pursued and they find themselves near a spawn location, roll a d6 and choose from a list of homebrew (or existing) monsters. The inclusion of a closing combat leaves room for the modifications next game’s prep will now undergo. This allows you to be the kind of DM that won’t render player choices meaningless, but delay them enough to give you time to adjust accordingly.

Redirect with clues

Your players might be derailing themselves from your main plot because there aren’t enough clues per session to peak their curiosity and redirect it back to the larger picture. Alternatively, you might have too many clues and pieces of information, giving them an overwhelmingly unapproachable air. Simplify your hints without taking away from their mystery, and allow for ways in which the dots can be connected.

Improvise

Easier said than done, the key to smooth flowing narrative and storytelling is to match your players’ level of improvisation. Are they responding differently to a dilemma than you had expected? Perhaps you had assumed they would save a child from a burning building, but instead they ran. Huzza! A perfect backstory for your new villain; a vengeful, burn-ridden baby warlock of a fiend patron. Creepy.

Is illusionism ever acceptable?

All that said, sometimes the DM is, ironically, left without a choice. Fortunately, non-toxic ways of dabbling in illusionism do exist. For example, if your party is having fun advancing in a particular quest but are way off track, nudging them in the right direction shouldn’t be frowned upon. See it as a help action that is in their best interest rather than your own. By no means is this participating in toxic railroading where the outcome is always the same no matter what the players choose to do. If you put in the work, it’s likely that participants will instinctively feel the difference between a forced path, and an intelligent choice that aligns with their quest. Despite the modicum of extra DM prep it might imply, there really is nothing better than imbuing your players with genuine curiosity, and newfound purpose.

Asking My Campaign: Why You Should Give Dungeons and Dragons a (One)Shot

How do I sacrifice my estranged little brother to a potent god? Maybe you don’t ask yourself that question too, but it’s possible that you’re off daydreaming about other universes, tinkering with machines, or concocting potions: whatever your fantasy world is about, you can probably find it in Dungeons and Dragons.

Dungeons and Dragons, or D&D (also stylised DnD) is the first modern role-playing tabletop game, and the most un-board-gamey-game out there. Created in the mid 70s and recently re-popularised with newer editions surfacing, DnD is different from traditional wargaming in that each player creates their own completely unique character, with a huge amount of mix-and-match possibilities and very few limitations.

All players choose a race (such as goblin or elf) and a class (such as druid or rogue) and pick from a long and elaborate list of spells and/or combat tricks. They roll some polyhedral dice (ranging from d4s to d20s) to come up with their in-game statistics, complete with ability scores and modifiers. These scores, which players roll for and allocate themselves, will determine their abilities: how good or bad they are at lying, convincing, dragging, jumping, sneaking around, recalling information, and so on. Left to fend for themselves with only a modicum of guidance, they walk into a spontaneous, or maybe fully-fledged, fantasy world.

Led by the Game Master (GM), also called Dungeon Master (DM), the characters meet each other, or have already met beforehand and must weave their encounter(s) into their respective backstories. They tackle the world they are in with a simple dice roll determining their ability to accomplish a certain task: perceive, investigate, attack… Unexpected enemies or allies can appear at any time, and players might run out of spell slots, or even die.

The purpose of the game is to go on several, often improvised quests, and the beauty of it all, is that it is essentially never-ending: DnD is not just a game, but a story that involves a lot of character-based calculations, consideration for other players, and commitment to meeting up and playing the part. Conversely, many also choose to partake in ‘one shots’ for a riveting DnD session lasting one night and one night only.

That all sounds pretty funky already, but here are a bunch of expert opinions sourced directly from my own completely unbiased party on why you should borrow a set of dice and sign up for your very first game of DnD.

RISK-TAKING

Our quick and cunning thief likes to take bets on her luck and creative mind. Chantal, who plays Earing the Halfling Rogue, will tell you that her favourite thing about playing DnD comes in packs of three:

“The combination of skill, chance, and creativity. Going on a prolonged journey into the imagination of other people whilst they play a character who does not necessarily represent their own [out-of-game] choices and how that collective effort brings life into the in-game world.”

And try as you may, the dice will determine your fate. But if you think creatively and way, way outside of the realm, then your DM might be humoured into lowering the number needed to succeed. So why not take a chance!

Benefits of the halfing rogue combo

• Nimble
• Dexterous
• Good with traps
• Lucky
• Sneaky
• Able to communicate in thieves’ cant
• A lock’s worst enemy

GAMING, MINUS THE SCREEN

Photo 2 by Espen Meisfjord.

If you’re looking for orphaned royalty, we’ve got that too. Our mysterious and untrusting half-elf ranger was once a noble paladin. Sebastian plays (Tar-)Darion Beluarian, The Strayer, and he likes the idea of gaming without the adverse effects of screen-time:

“There’s no screen, and actually, no writer or director telling you what the fictional world should look like. It just allows everyone in the group to have their own world, and yet play together, in real life. You’re totally free, you can eat and drink at the same time, you can leave quickly to the kitchen and come back, and the freedom extends to you as an actor.”

In DnD, players are free to choose what kind of a person they’d like to play, whereas video-gamers are often limited to a list of pre-made avatars:

“Here, you not only choose your own spells and abilities, but your entire background story, look, and personality.”

And it’s not untrue; there isn’t always a list of narrative A, B, C, D options to choose from, and you could spend years on creating a backstory, or invent it on the spot. If you’d like to swap genders, professions, political parties, or philosophies, go ahead. No one is stopping you.

Benefits of the half-elf ranger combo

• Charismatic
• Diplomatic
• Ability to multi-attack
• Knowledge of various terrains
• Bow expert

LARP THE NIGHT AWAY

*The artwork for these minis have been sourced from the internet and most have been modified to fit our needs with photoshop. The artwork has only been used for our miniatures and non-commercial poster. We do not recommend using artwork that is not your own if you are going commericial or pro.

Live Action Role Playing, or LARPing, is not just an activity you can participate in to see what it would be like to be a catastrophically elite version of yourself. Vulnerability is key, so don’t shy away from taking on an insecurity or belief you might not have in real life. Becoming someone else and building a common narrative is tricky, but ultimately very rewarding. As a relatively confident person, recent graduate, and atheist, I play Elyssee Elwing, the paranoid half-elf cleric student. It makes no sense, but it’s a lot of fun.

All of it comes with a no-strings-attached policy, because it’s only a character. At the same time, if you dedicate yourself to it enough, it’ll become you. Players in-game usually only refer to each other by their character names, team-members will adopt strange accents and quirks, and, when you die, you die. Back to the drawing board for your new character.

Benefits of the half elf cleric combo

• Charismatic
• Diplomatic
• Necessary healer
• Always useful
• Banish the dead
• Befriend the dead?

MAP-MAKING, WORLD-BUILDING

And just when you might begin to think that DnD sounds unmanageably free and off-the-usual-track, you’ll be pleased to know that the game also offers a wealth of information on how to play. Gimble the Gnome Wizard, played by Espen, dreams of worlds built on travel narratives.

“It gives the gameplay a coherent structure and shifts between an emphasis on ontological and subjective approaches to documentation of places and people encountered.”

You’ll find many maps and treasure troves of information on DnD, which include The Player’s Handbook and Sword Coast Adventurer’s Guide. Our well-travelled gnome is thankfully our living map guide, but there are many digital resources, such as Roll 20, DND 5th Edition, and D&D Beyond’s 5th Edition Maps, if you’re not too sure about investing in costly tabletop books quite yet.

Benefits of the gnome wizard combo

• Intelligent
• Unparalleled knowledge of the Arcane
• Naturally gifted illusionist
• Able to communicate with animals
• Chaotic good fun
• So many spells

BY THE BOOK, OR NOT

With all its books and platforms, any rule in DnD can be interpreted as a long list of suggestions at the discretion of your group’s Dungeon Master. Frank, the team’s hilarious bear-who-was-revealed-to-actually-not-be-a-real-bear (it was shocking), or Varen the Firbolg Monk, is all about the in-game freedom:

“Whilst it’s true that the game involves many rules, they don’t operate by restricting creativity, but rather by guiding it, helping to make the game fun for you and your group. When playing DnD, each player has the freedom to invent their own game, which results in an unbelievably rich and unexpected adventure.”

As a bear who walks and talks in the country’s capital without care, Varen embodies freedom of game, exemplified by his quirky tangential mini-adventures, such as the quest for a decent yet rustic pipe to smoke.

Benefits of the firbolg monk combo

• Giant
• Naturally detect magic
• Naturally disguise yourself
• Invisibility
• Mulitattacks
• Ability to stun and delay

Our inscrutable barbarian agrees. Though he initially had many existential questions on the game’s lack of necessary structure and coherence, Nil, or Tork the Orc, now finds the idea of a freer world built on a semblance of reality to be comforting:

“The people I come across, the places I visit. Do they exist before I encounter them? […] The future could be predetermined, yet I have no means of knowing. Where does free will lie under such an argument? Although these questions occupy my mind often, I have learned to not think about them. It is likely that the DM improvises as he goes, and I have found peace in not questioning his ability to [lead us].”

Coming to terms with the at times strange nature of the game has led to a number of absurd occurrences, such as when Tork killed a wizard in one blow for purely narrative reasons. He didn’t seem to mind, though. Tork smash!

Benefits of the barbarian orc combo

• Strong
• Resilient
• Robust
• Naturally intimidating
• Deal 40 points of damage in one swing

BE THE GAME

There’s one last actor, hidden behind a dividing screen. Arvid, our smiling Dungeon Master, also loves the narrative and geographical world-building that DnD has to offer; after all, the game we play is in many ways the seed of his creative mind intermingled with our own individual and joint choices. In other ways, the game is out of his control almost entirely:

“The reason why I play and act as the Dungeon Master in DnD is mostly as a creative outlet. Whether I play or act as the DM, I see it as a performance of story-telling and as immersion for the players and for myself. I like to improvise and I love to write short little stories in my mind that I can act out in front of the players. I am always curious as to what the players will do and where they will end up. This gives me, as a Dungeon Master, the opportunity to express my imagination both in terms of world-building, and in terms of being an improvisational actor.”

According to our DM, an opinion I am sure our players would back up vehemently, the rich fantasy world of DnD us unlike any other game out there:

“I know of no other game that allows for such freedom of expression and after not having played for a while, I always feel drawn back into this fantasy world to see what ideas may present themselves.”

Benefits of DMing

• Narrative storytelling
• Worldbuilding
• Character creation
• Practice accents
• Surprise your players
• DM and NPC – double the fun!

Think you’ve got what it takes to DM? Check out professional voice actor and DM artist extraordinaire Matt Mercer and his top tips on leading a campaign of players.

So, are you ready to play?